As of 2020,[update] the automated process includes sophisticated techniques including automatically displaying lines on-screen for the talent, automated cues, shifting the audio track for accurate synchronization, and time-fitting algorithms for stretching or compressing portions of a spoken line. There is even software that can sort out spoken words from ambient sounds in the original filmed soundtrack and detect the peaks of the dialog and automatically time-fit the new dubbed performance to the original to create perfect synchronization.[13]
This practice has declined as a result of the reduction of airtime for the language on SABC TV, and the increase of locally produced material in Afrikaans on other channels like KykNet. Similarly, many programs, such as The Jeffersons, were dubbed into Zulu,[25] but this has also declined as local drama production has increased. However, some animated films, such as Maya the Bee, have been dubbed in both Afrikaans and Zulu by local artists.[26] In 2018, eExtra began showing the Turkish drama series Paramparça dubbed in Afrikaans as Gebroke Harte or "Broken Hearts", the first foreign drama to be dubbed in the language for twenty years.[27] On extra they have many Turkish series. Kara Sevda which is Bittersoet. They also have Istanbullu Gelin which is Deur dik en deun. They have Yasak Elma which is Doodsondes. They also have Elif.
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The most famous musicals of the time, such as My Fair Lady and The Sound of Music, were translated, adjusted and performed in Persian by the voice artists. Since the 1990s, for political reasons and under pressure from the state, the dubbing industry has declined, with movies dubbed only for the state TV channels. During recent years, DVDs with Persian subtitles have found a market among viewers for the same reason, but most people still prefer the Persian-speaking dubbed versions. Recently, privately operated companies started dubbing TV series by hiring famous dubbers. However, the dubs which these companies make are often unauthorized and vary greatly in terms of quality.
The prevalence of media needing to be dubbed has resulted in a talent pool that is very capable of syncing voice to lip, especially for shows broadcast by the country's three largest networks. It is not uncommon in the Filipino dub industry to have most of the voices in a series dubbing by only a handful of voice talents. Programs originally in English used to usually air in their original language on free-to-air television.
Since the late 1990s/early 2000s, however, more originally English-language programs that air on major free-to-air networks (i.e. 5, ABS-CBN, GMA) have been dubbed into Filipino. Even the former Studio 23 (now S+A), once known for its airing programs in English, had adopted Filipino language dubbing for some of its foreign programs. Children's programs from cable networks Nickelodeon, Cartoon Network, and Disney Channel shown on 5, GMA, or ABS-CBN, have long been dubbed into Filipino or another Philippine regional language. Animated Disney films are often dubbed in Filipino except for the singing scenes, which are shown in their original language (though in recent years, there has been an increase in number of Disney musicals having their songs also translated such as Frozen). GMA News TV airs some documentaries, movies, and reality series originally shown in the English language as dubbed in Filipino.
Dubbing is less common in smaller free-to-air networks such as ETC and the former RPN 9 (now CNN Philippines) whereby the original-language version of the program is aired. Dramas from Asia and Latin America have always been dubbed into Filipino or another Philippine regional language, and each program from these genres feature their unique set of Filipino-speaking voice actors.
In multilingual Singapore, dubbing is rare for western programs. English-language programs on the free-to-air terrestrial channels are usually subtitled in Chinese or Malay. Chinese, Malay and Tamil programs (except for news bulletins), usually have subtitles in English and the original language during the prime time hours. Dual sound programs, such as Korean and Japanese dramas, offer sound in the original languages with subtitles, Mandarin-dubbed and subtitled, or English-dubbed. The deliberate policy to encourage Mandarin among citizens made it required by law for programs in other Chinese dialects (Hokkien, Cantonese and Teochew) to be dubbed into Mandarin, with the exception of traditional operas. Cantonese and Hokkien shows from Hong Kong and Taiwan, respectively, are available on VCD and DVD. In a recent development, news bulletins are subtitled.
In Brazil, foreign programs are invariably dubbed into Brazilian Portuguese on free-to-air TV, with only a few exceptions. Films shown at cinemas are generally offered with both subtitled and dubbed versions, with dubbing frequently being the only choice for children's movies. Subtitling was primarily for adult audience movies until 2012. Since then, dubbed versions also became available for all ages. As a result, in recent years, more cinemas have opened in Brazil, attracting new audiences to the cinema who prefer dubbing. According to a Datafolha survey, 56% of Brazilian movie theaters' audience prefer to watch dubbed movies.[56] Most of the dubbing studios in Brazil are in the cities of Rio de Janeiro and São Paulo.[57]
For Spanish-speaking countries, all foreign-language programs, films, cartoons and documentaries shown on free-to-air TV networks are dubbed into Standard Spanish, (mainly in Mexico, Venezuela or Argentina) while broadcasts on cable and satellite pan-regional channels (i.e. Discovery Kids) are either dubbed or subtitled. In theaters, children's movies and most blockbuster films are dubbed into Standard Spanish, and are sometimes further dubbed into regional dialects of Spanish where they are released.
Dubbing is occasionally used on network television broadcasts of films that contain dialogue that the network executives or censors have decided to replace. This is usually done to remove profanity. In most cases, the original actor does not perform this duty, but an actor with a similar voice reads the changes. The results are sometimes seamless, but, in many cases, the voice of the replacement actor sounds nothing like the original performer, which becomes particularly noticeable when extensive dialogue must be replaced. Also, often easy to notice, is the sudden absence of background sounds in the movie during the dubbed dialogue. Among the films considered notorious for using substitute actors that sound very different from their theatrical counterparts are the Smokey and the Bandit and the Die Hard film series, as shown on broadcasters such as TBS. In the case of Smokey and the Bandit, extensive dubbing was done for the first network airing on ABC Television in 1978, especially for Jackie Gleason's character, Buford T. Justice. The dubbing of his phrase "sombitch" (son of a bitch) became "scum bum," which became a catchphrase of the time.
Dubbing has also been used for comedic purposes, replacing lines of dialogue to create comedies from footage that was originally another genre. Examples include the American television show Kung Faux, comedically re-dubbed from 1970s kung fu films originally produced in Hong Kong, the Australian television shows The Olden Days and Bargearse, re-dubbed from 1970s Australian drama and action series, respectively, the Irish show Soupy Norman, re-dubbed from Pierwsza miłość, a Polish soap opera, and Most Extreme Elimination Challenge, a comedic dub of the Japanese game show Takeshi's Castle.
In Russia, the reading of all lines by a single person is referred to as a Gavrilov translation, and is generally found only in illegal copies of films and on cable television. Professional copies always include at least two actors of opposite gender translating the dialogue. Some titles in Poland have been dubbed this way, too, but this method lacks public appeal, so it is very rare now.
Sometimes, films are also dubbed into several German dialects[citation needed] (Berlinerisch, Kölsch, Saxonian, Austro-Bavarian or Swiss German), especially animated films and Disney films. They are as an additional "special feature" to entice the audience into buying it. Popular animated films dubbed into German variety include Asterix films (in addition to its Standard German version, every film has a particular variety version), The Little Mermaid,[citation needed] Shrek 2,[citation needed] Cars, (+ Austrian German)[citation needed] and Up[89] (+ Austrian German).
On October 26, 2021, the Nigerian Communications Commission announced the discovery of a new malware, dubbed Flubot, targeting Android devices with fake security updates and application installations. The malware draws fake web views on infected devices, with the goal of stealing personal data, particularly credit card details or online banking credentials.
On October 19, 2020, researchers from IBM uncovered a new form of malware using remote overlay attacks to strike Brazilian bank account holders, which has been dubbed Vizom. It is being utilized in an active campaign across Brazil designed to compromise bank accounts via online financial services. Vizom spreads through spam-based phishing campaigns and disguises itself as popular videoconferencing software, tools that have become crucial to business and social life due to the coronavirus pandemic.
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